Consious art

Marina Abramovic

http://www.youtube.com/watch?v=h9-HVwEbdCo- Rhytmh - 1999

http://www.youtube.com/watch?v=zGCW4Iu1ALA- art must be beautiful, artist must be beautiful.

After death of the author, author constantly needs to remind himself of his authorship.

Martin Creed:
http://www.martincreed.com/words/index.html


script for consious performance, for author:

find a book titled :

Then learn all of the names in this book because u're art lover.


Nearly every Author have one sentence of him written in bold letters in this book.

Learn them all, and let them be your mantra. repeat them until u'll loose consiousnes and then......became Author yourself.

Some of the senteces for a good beginning:

1.I’m interested in that particular quality of a painting that it is an object but at the same time an image, so that the picture alternates between being an illusion and the real thing. Tomma Abts

2.Foreignness, in the sense of adventure and exoticism, no longer exist. Franz Ackermann.

3.I tend to question all fixed concepts and overthrow certain facts that people always take for granted. Ai Weiwer.

4…..Doug Aitken

5.Drawings are my most intimate activity, drawing is more like writing, and it’s like praying. Haluk Akakce

6.Sculpture is heterogeneous tradition we all involuntary inherit, but also take pleasure in draving for, exploring, manipulating, re-articulating in light of socio-political conditions.this is what we might call responsibility of forms. Allora & Calzadilla.

7.I am very interested in transport as a medium through which we can understand culture and memory. Systems of flow and organization, like time and transport, are ordering mediums that shape our memory and history. Darren Almond.

8.It is a major achievement to realize that body is only a vehicle for the soul. I feel like a cosmonaut in the suit of my own body, I am a trapped soul. The body plays a role of an address. My bodily address is Paweł Altharmer.

9. What I make ahs to be positive and seductive. Instead of rotting, the characters in my work are crystallizing. This makes the narratives of pieces move toward life rather than death. David Altmejd.

10. Paintings illustrate moments in transition between conscious thoughts or experiences. I want my paintings to depict dream landscapes, like a sort of floating imprecise past. Hope Atherton.

11.. The money that my work fetches these days makes me a bit uncomfortable, but that’s an easy prolem to solve- you just stop whingeing and give it all away. I don’t think it is possible to make art about poverty and than trouser all the cash, that’s an irony too far, even for me. I love the way capitalism finds a place even for its enemies. Banksy

12.I thin a lot of decisions that are made in regards to duration and balance are about trying to describe an organism that has its own pulse and that has its own behavior. Its something that keeps me coming back to the filmmaking process. Matthew Barney.

13.Unlike in painting, working with a computer offers a vast opportunity to create new pictures-pictures that confound viewing patterns - to surprise yourself with. When you stand in front of canvas you can’t surprise yourself so fast with a brushstroke. Tim Berresheim.

14.Cosima von Bonin.

15.A building is a container, something hat acts as a barrier and stands in your way. Actually it would be nice not to have buildings. When I walk down the street at night and Monica BONVICINI.

16.I don’t really think of the art of past and distant. If you go into a museum, it’s there today. One of the things I love is freedom of having all theses artist in your head side by side;you might find yourself thinking of Jeff Koons one minute and Giotto the next.Cecily Brown.

17.I’m rather like Dr.Frankenstein, constructing paintings out of the residue or dead parts of other artists work. Glenn Brown.

18.I simply carry on regardless, constantly mixing form and content and then intentionally forgetting them all again.I’m like manufacturer who figures his products will git on something serious by themselves. Andre Butzer.

19. My installations have consistently pursued a temporal fluidity, in contrast to the stylistic freedom I allow myself. However, my works in essence contain these characteristics: a participatory nature and a flow of the time. Cai Guo-Qiang.

20.You try to move the borders a little bit further, and then you realize how easily the world of art can absorb any blow. But that’s OK, I guess that’s part of a game. Maurizio Catetelan.

21.The dark side of my work primarily concerns the internal mechanism of visual imaginary and how these mechanisms address the mind. Mat Collishaw.

22.I hate cartoons. But you paint what you don’t like and try to make it right. George Condo.

23.I think the best work actually happens when you loose control, when your loose and open…but it’s difficult to make it happen. Martin Creed.

24.Phornography is so associated with photography, and so dependent on the idea that camera desn’t intercede between you and the subject. One motive of mine is to see if I could make this clearly debased and unbeautiful thing become beautiful in painting. John Currin.

25.My understanding of art first came from images in books, which could explain my affinity of cubism. I’m always trying to create space buy carving out forms in two dimensions. Like pop- up books, only the pages are both open and closed at the same time. Aaron Curry.

26.I often borrow fro traditional craft techniques and design styles, using their pre-given rules and functional potential in attempt to organize and give structure the often chaotic nature of my emotional response to reality. Enrico David.

27.Peole say that my films are often about memory, but memory is such a subjective thing. Tacita Dean.

28.My pictures refer neither to the banal location nor the argument about the sequence of events, but instead those things which are left over in the form of myths and which take on life of their own. Thomas Demand.

29.For me it is important that I can relate to my subject. There needs to be an interaction. I think is all abut recognition on an emotional level. I don’t like direct too much. Reineke Dijkstra.

30.I play all the parts in my film, so I am both male and female in them. When I started animating, I always saw myself as a victim, but then I realized that I was just as much the torturer. I am the victim and the perpetrator. Nathalie Djurberg.

31.Often I am trying to create ‘numbness’. I am trying to create something questionable, somethig that is difficult, if not impossible, to put in words. Peter Doig.

32. My best works are erotic displays on mental confusions ( with intrusions of irrelevant information) Marlene Dumas.

33.I am a little bit a perfectionist when it comes to drawing and collages. I am kind of looser in paintings. But with sculpture for some reason I feel that anything goes. There’s more freedom, I feel that I can get away with more. Marcel Dzama.

34.I don’t concern myself with kitsch. I concern myself with imagination and projection surfaces. Apart from that, it’s got a lot to do with the game of perpetrator and victim. Martin Eder.

35.Physical experience makes a much deeper impression that a purely intellectual encounter. I can explain to you what it’s like to feel cold, but I can also have you feel cold yourself through my art. My goal is to sensitize people to highly complex questions. Olafur Eliasson.

36.We try to remember, what once we tried to forget. Elmgreen&Dragset.

37.For me , as an artist, what’s important is to cover everything from the emotional to the literal, and sometimes that means I give myself very hard time. Tracey Emin.

38.Urs Fischer.

http://www.youtube.com/watch?v=FDdNn0x7Y0Y